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We’ve updated our Terms of Use. You can review the changes here.

¹​⁹​⁄​₂​₃

by Elemusic Productions

/
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    download contains stems for all tracks, as well as licenses for said stems and filenames for all used sounds i legally could not redistribute. also contains isolated pelman graphic and 1920x1080 "wallpaper"
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1.
plain text: AUTHENTIC KORG-I M1 VIBES
2.
plain text: ambient
3.
and by that i mean patricia taxxon is one of my greatest inspirations and directly inspired this track
4.
plain text: i can't place it
5.
titled as such for lack of a better idea
6.
plain text: please excuse my dark ambient swag
7.
plain text: POP A MOLLY AND GET FUCKING ZOOTED
8.
GUI meaning "Graphics User Interface," of course
9.
plain text: "LET US BE HEARD," they cried.
10.
plain text: ENDURANCE ROUND and/or VICTORY LAP
11.
plain text: computer music

about

a compilation of tracks made over several months in several contexts, curated by Pelman D. for his 3rd biannual birthday event. title read as "nineteen on twenty-three"

credits

released January 11, 2023

PLUGINS USED: COMET'S TAIL ambiFX, CT-0W0, virtuaDub, damascus!, CT-WS1, 3spaces, fuzzbuddies, .nuxx, sota, meatzone, maw, offsetr, psykic; Fruity parametric EQ, parametric EQ 2, WaveShaper, Convolver, Reeverb 2; CYBERGRUNGE 0x3len, freezezone, headless2-Stereo, 0seeleOTMpercV4; xoxos acoustic, muchacho, muchacha, discipline3, amboea, ess3, clearsynth, pink, smoky joe, power; KORG M1
samples taken from the HLRC: heckscaper.com/resources/ and the Elysian Tunes Sample Directory: astrossoundhell.neocities.org/data/samples/
IN-HOUSE WORK:
album-wide sample acquisition by ARIES
secondary work for t1: Pelman D.
secondary work for t2, t11: Drumbit
secondary work for t3, t4: EQL-IZR
secondary work for t3: Re-Al Ity

license

all rights reserved

tags

about

EQL-IZR

elemusic productions
est. 2015
eql + dbit = noise
re-al, pelman d., kyla, + collaborators = variety electronica
you = a listener, hopefully
me = grateful that you looked at my page
elemusic.carrd.co

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